Turkey: Prologue

By , August 28, 2009 11:00 pm

28 August 2009:

Typing this on the flight from Singapore to Istanbul.

Trips with a historical slant can be stale for those who prefer to ignore the significance of places beyond its heyday. I have a feeling that most parts of my upcoming 2 week trip will be of interest to only a small minority. I have spent almost 3 months reading Edward Gibbon’s excellent “The Decline and Fall of the Roman Empire”, referencing wikipedia and making notes on google maps, charting the locations as I go along. Luckily for me, most of the action towards the end of the Roman Empire centers around present-day Turkey.

The focal point of course is on Constantinople, also known today as Istanbul, where Emperor Constantine decided to establish the first Christian kingdom, arguably because he decided to side with the growing popularity of a new religion. Sacked a few times by passing crusaders and finally falling to the giant cannon of Sultan Mehmet II of the Muslim Ottomans less than a thousand years later. In Istanbul I would expect the signs of history to be more obvious, but it would be a challenge to find the remains of the wall where the muslims breached the city wall.

Planning to stay 3 days in Istanbul. As for the rest of the trip, the rough planning is as follows:

After Istanbul, and using it as a hub, I will do two day trips. First of it will be to Hadrianople – present day Edirne – next to the Greek border. This is where the Ottomans set up their capital and headquarters before heading out to conquer Constantinople. I expect the city to be bland,with history hidden behind a modern facade, tourists passing through, oblivious to the role this city played in the founding of present day Turkey about 700 years ago. A day trip out of Istanbul should be sufficient.

Then there’s Nicaea – present day Iznik – where a bunch of church elders held a meeting a bit more than a thousand years ago and decided on the Nicene Creed, a story setting the relationship between the key figures of today’s Christian church doctrine. All other conflicting views were banished, and purged. Iznik is famous for the tiles that graced many Ottoman monuments in Turkey. Again, I’m expecting a ruin or two but nothing more than the pleasure of getting GPS coordinates in a city steeped in historical significance. If time permits, perhaps Iskander Kebab in Bursa not too far from Iznik before returning to Istanbul.

To save time, I plan to then take a flight down to Nevsehir, in Cappadocia. A bus from the capital would take too long, losing up to a whole day to get to the heart of Turkey. At Urgup, I have made advanced booking on a rental car which will be with me the whole trip in Cappadocia while I try to cover the whole area in 3 days. It is probably ambitious to do so with public transportation, so we shall see. Distances seem quite short so I shouldn’t have to use up tanks of petrol everyday.

Planning to spend 3-4 days there depending on my mood. Cappadocia would be the landscaping part of the trip, and my DSLR and a couple choice lenses and tripod will come with me for this purpose.

The next few day post-Cappadocia is unclear at this moment. Will probably make it up as I go along. One possibility is to go to Kayseri, hanging around the most muslim city of my trip, and taking the overnight train down to Adana to have a kebap, and finally down to Antakya (ancient name: Antioch). The second plan is to skip Kayseri, but since I’m not in the mood to apply for a Syrian visa, not sure what I will do in the 3-4 days down south in Antakya. Will worry later. All I know is that I have to be in Adana at a certain time the day before the flight back so that I can catch a domestic flight from Adana back to Istanbul, where I will spend another night before leaving Turkey.

Total duration: two weeks. This will be during Ramadan season, so I’m prepared to fast if I have to, eating breakfast and dinner only.

Equipment wise, I have the standard blogging machine, my Nokia E71 that will double as an alarm clock as it has the most irritating ring of all, and tripling as a GPS backup since it has google maps allowing me to have an eye up in the sky if required. Primary GPS is my trusty 10 year old Garmin eTrex Vista loaded with world map for this part of the planet. For the first time, I will bring a PCM sound recorder to get ambient sounds into my archives, honours going to the Sony PCM D50 recorder. A trip is not a trip without cameras, of course . I will have the usual 3 cameras. People shots will be made with a Leica M6 Classic and just one lens, a 35mm Summicron ASPH which should be versatile enough for close up action. Bringing 20 rolls of film, Kodak Tri-X, Chinese-made ERA100 and Fuji Neopan1600. Not forgetting a single roll of Kodachrome, just in case. DSLR for landscapes with a rugged-ish Nikon D300. Lenses that will come along: 12-24mm f4 AFS, 10.5mm f2.8, 28-70mm f2.8 AFS and my favourite all-round lens: Micro-Nikkor 105mm f4 AI. All Nikkors. Point and shoot honours will go to a Ricoh GR Digital in a belt holster for quick grab shots. A light Gitzo 1531T travel tripod and RRS BH25 tripod head comes along. All these goes into a Kinesis  Journeyman bag configured for half gears and half clothes. A Kinesis M550 multipurpose bag serves as a day and accessory pack when I need to move fast.

Enough on the equipment. This setup allows me to move fast and to jump on buses and planes without any big bulk. It’s heavy for sure, but nothing big plate of kebab at the day cannot soothe. And so it begins…

Shanghai, China: Changxing Island

By , August 25, 2009 10:34 am

Majiagang Pier, Changxing Island

The term “non-linear” applies especially to this post. I have made 2 trips to Changxing island over a few weeks, both times armed only with black & white film. As usual, I would type out this blog post on my Nokia E71 and then combine and edit them on a Macbook when I’m back in the comforts of my living room. However, somehow I got the post on Hengsha up and I forgot about this one till March 2010. So here I am, working on getting it out of my clogged up draft box.

As I originally wrote: after Hengsha, it is only natural the next island on the Yangzi River Delta to visit would be Changxing island, a lot bigger than Hengsha and slightly to the west. Not the biggest of course, that honour would go to Chongming island, subject of a future trip which I planned but never got to carry out before this post went online. It is not too difficult to get to Changxing. Same bus or metro to Wusong port and a boat to Majiagang, which is the only pier on the island, I was told. There are a lot more boats to Majiagang than to Hengsha, and the same for the return trip, so it shouldn’t be any issue to get there and back and advanced ticket is not necessary.

There are not too much information about Changxing Island on the internet, at least not the English internet that I can search for. I was told that this island contains many orange farms, of the green skinned type. Lokam, some call it. Shanghainese would go there in their car in autumn and pick them, like a novelty item as if reminding them of the agricultural origins of Pudong. As the ferry passes by Changxing Island on the way to Hengsha, all I saw on Changxing was a lot of shipyards, so I have expectations of orchards, four-stroke tractors and shipyards.

Eventually I would spend a total of two weekends to survey two sections of the island, the middle  and the far western end. It would be total nuts to walk the whole island. Changxing is at least 30km long from one end to the other.

First Survey: 15 August 2009

GPS Plot for 16 August hike

Central Changxing Island hike

Tried to wake up early, as I expect a long long walk on Changxing. Left home at 0700hrs after packing my own lunch, as I don’t expect to waste time to look for a restaurant when on the island. After a quick breakfast, it was the usual bus 952 from People’s Square to Wusong port. At the Baoshan ticketing office, the next fast boat I could find was at 1000hrs. This means I have at least one and a half hours to waste at the waiting room. I plug in my iPod and Fring on my Nokia E71 and tried to get productive going through some podcasts.

Boarding time

Boarding the fast boat to Changxing Island

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Shanghai GP3 120 Film: Fogged, but interesting!

By , August 16, 2009 11:49 pm

While out in Changxing Island outside of Shanghai, I shot 4 rolls of 120 film in one whole day with my Mamiya RZ67II and being my first time out with the ultra cheap Shanghai film (less than a buck each US) I didn’t know that the end tape doesn’t include any licking tackiness to it. There’s a piece of paper that says that the film is exposed, but what’s the point as it doesn’t stick to anything, wet or dry. So I jury rigged something out of the next roll and stuffed it into the phone pocket in my pants, and when I got to the ferry point, realised that the first roll unrolled itself. Definitely fogged to Hades, and I was hoping the black paper would save the day.

No it didn’t. Light did REALLY get to the film. Processing was via 1+100 Rodinal on stand development in 27C water for 1 Hour. To my surprise (seriously, there was no big surprise!), the base was all dark, no frame marking at all, and there were just a small trace of image on it. First frame was 90% destroyed, and other than uneven fogging, some Photoshopping might recover some details.

And it did. Actually, the result is less Holga, and more wet plate collodion with a little age induced fogging. Possibly making some nice artistically inclined shots. Here they are…

First picture of the frame. No, its not god rays, but a ship under repair on a floating dry dock. Being the first frame in the roll, this one took the full brunt of the fogging.

First picture of the frame. No, its not god rays, but a ship under repair on a floating dry dock. Being the first frame in the roll, this one took the full brunt of the fogging.

All these rural places in China are full of these crude minotaur of a vehicle. The fogging is apparent, but there's also a little texture in it. This frame is in the first half of the roll, so I'm guessing this is the texture of the black backing paper, that somehow managed to transfer itself to the film during the fogging.

All these rural places in China are full of these crude minotaur of a vehicle. The fogging is apparent, but there's also a little texture in it. This frame is in the first half of the roll, so I'm guessing this is the texture of the black backing paper, that somehow managed to transfer itself to the film during the fogging.

This one I like. Looks like the result from a lost world war 2 negative of some Japanese port. No, its Changxing Island circa 2009. And the texture is also here. This one is actually frame no.2.

This one I like. Looks like the result from a lost world war 2 negative of some Japanese port. No, its Changxing Island circa 2009. And the texture is also here. This one is actually frame no.2.

Stacks of bricks. The actual shot of this is less interesting as the background is visible. The yard is not THAT big, but due to the fogging, it suggests an infinite storage area. On the contrary, but a nice surprise. This one is towards the middle of the roll.

Stacks of bricks. The actual shot of this is less interesting as the background is visible. The yard is not THAT big, but due to the fogging, it suggests an infinite storage area. On the contrary, but a nice surprise. This one is towards the middle of the roll.

This is a small river that cuts through the middle of Changxing Island. The fogging sets back the scene 100 years to the past. Nice!

This is a small river that cuts through the middle of Changxing Island. The fogging sets back the scene 100 years to the past. Nice!

Tractors here are all caked in some white alabaster thingy. No I didn't stick my fingers into it to confirm, but up till now I still don't know what it is for sure. This is one of the last frames in the roll.

Tractors here are all caked in some white alabaster thingy. No I didn't stick my fingers into it to confirm, but up till now I still don't know what it is for sure. This is one of the last frames in the roll.

Surprise, surprise! Now I’ve added another processing trick into my darkroom arsenal!

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